个人简介：

李昊阳，男，哲学博士，西南大学美术学院副教授，硕士研究生导师，重庆市文艺评论家协会青年专委会委员。先后在西南大学文学院、国际学院获得本科、硕士学位，2012年外派泰国孔敬大学，2013年留校工作；2022年获博士学位，2025-2026年受CSC资助在美国康涅狄格大学历史系从事访学研究(合作教授Peter Zarrow)。目前主要研究领域为18-19世纪西方视觉思想史与现当代媒介美学。先后主持教育部人文社科青年基金项目、文化和旅游部文化交流重点项目、中央高校能提提升项目等课题。著有《18世纪欧洲中国观与美学判识机制研究》（西南大学“双一流”建设优秀著作文库），主要学术观点刊发于《文艺理论研究》《北京电影学院学报》《世界电影》等学术期刊。

主讲课程：

本科生：《大国艺术》《视觉文化概论》《美术鉴赏与批评》《设计概论》《论文写作与文献检索》

研究生：《艺术社会学》《艺术理论前沿专题》《艺术生产与中国形象建构》

Biography

Haoyang Li is an Associate Professor and Master’s Supervisor at the School of Fine Arts, Southwest University. He holds a Ph.D. in philosophy and serves as a member of the Youth Committee of the Chongqing Association of Literary and Art Critics.

He began his studies at Southwest University in 2007, earning both his bachelor’s and master’s degrees through the School of Chinese Language and Literature and the International College. In 2012, he was appointed to teach at Khon Kaen University in Thailand, and in 2013 he joined the faculty of Southwest University. He received his Ph.D. in 2022 under the supervision of Professor Yundong Duan. In 2025, with support from the China Scholarship Council, he conducted visiting research at the University of Connecticut, working with Professor Peter Zarrow.

His research focuses on eighteenth-century aesthetics and the history of visual culture, as well as modern and contemporary media aesthetics. He has led research projects funded by the Ministry of Education of China and the Ministry of Culture and Tourism of China. He is the author of The Perceptions of China in 18th Century Europe and the Identification in Aesthetics, published as part of Southwest University's "Double First-Class" Outstanding Academic Works Series. His major scholarly articles have appeared in journals such as Theoretical Studies in Literature and Art, Journal of Beijing Film Academy, and World Cinema.

Funded Research Projects

Principal Investigator, Fundamental Research Capacity Enhancement Project for Public Universities: "The 1960s New Left Cultural Movement and the Evolution of Art Historiography in the UK and the US" (2024).

Principal Investigator, Ministry of Education Humanities and Social Sciences Research Youth Fund Project: "The European View of China in the 18th Century and the Origins of German Rationalist Aesthetics" (2023).

Principal Investigator, National-level Art Studies Cultivation Project, Southwest University: "Research on the European View of China and the Evolution of Aesthetic Rationalism in the 18th Century" (2023).

Project Member, National Social Science Fund Project: "The Evolutionary Logic of the 'Octoberists' and Modern Western Aesthetics"; responsible for the sub-project "Anti-Aesthetics and the Negative Logic in the Evolution of Modern and Contemporary Western Aesthetics" (2019).

Project Organizer, Key Cultural Exchange Project of the Ministry of Culture and Tourism: "Images of Southwest China: An In-depth Cultural Tour of Tujia and Miao Cultures for University Students from Macao" (2019).

Key Contributor, Development of Chongqing's 15th Five-Year Plan for Artistic Creation (2025).

Selected Publications

The Perceptions of China in 18th Century Europe and the Identification in Aesthetics. Chongqing: Southwest University Press, 2025.

"The 'Modern' Metaphor of the Claude Glass and the Origins of Media Reflexivity." Journal of Beijing Film Academy 10 (2025):17-27.

"The Logic of 'Negation' in T.J. Clark's Thought and the Reverse Practice of Social Art History." Theoretical Studies in Literature and Art 41.03 (2021): 146-156.

"Rosalind Krauss's Writing of the 'Extreme' and the 'Perceptual Revolution' of Formalist Criticism." Journal of Beijing Film Academy 04 (2026):23-32.

"The Truth of 'Méconnaissance': Debates over the Subject in the Film-Theoretical Confrontation between Noël Carroll and Stephen Heath." World Cinema 02(2026):16-38.

"Visual Politics in the 'New Qing History': An Analytical Inquiry." World Art 03 (2025): 48-56.

Email: dabrown@foxmail.com

Mailing Address: No. 2 Tiansheng Road, Beibei District, Chongqing 400715